I have been lucky enough to have worked with some really great engineers in the Bay Area: Kevin Army, Andy Ernst, Ryan Massey, and Greg Freeman. However, Tom Mallon is the one, I believe, who showed me how to record. He always had the band play together in the same room, when the take was not-so-great he would just tell us to try it again, and after every take he would say into the headphones, "tune."
It had been years since I had seen him (ran into him randomly at a Peet's Coffee like 10 years ago) and it was not much more then hi, how are you?
The band mates that I worked with during the Tom Mallon recording sessions understand how important he was to not only the SF music scene, but to the us personally. The first time I came into his studio to record a 7'inch, I admit I was a little cocky, but after working with him on a full album, I was humbled and a much better player. The band was silly, but professional and I am glad to say that we made him laugh. Granted it was probably at our expense.
A friend of mine told me that he was sick a few months ago. My thoughts and sympathies go out to his family and friends.
Now that we've perfected the art of love
Now all the lights shine on me and misery
My good friend misery
Now all the lights shine on me and misery
My good friend misery
You can
be cured by a single touch
You can get up and walk away
Anything that you say
You can get up and walk away
Anything that you say
The drive
of the road again
'cause I'll be your only friend
Right before we touch the ground
The night asleep, loving sound
Sweet loving sound
'cause I'll be your only friend
Right before we touch the ground
The night asleep, loving sound
Sweet loving sound
"Asleep" of the album "Engine," American Music Club, 1987.
No comments:
Post a Comment